Between the fatalism of archic justice and the strategies of resistance both demanded and necessitated by retributive politics on the one hand and the an-archic metapolitics of subjectification whose function is both to de/construct the state, Gaillot has suggested an experimental techno-politics of touching—the touching of bodies, the touching of possibilities: “technics, itself a force of deterritorialization and métissage, in its contemporary form effects and provokes … mutation in our being-together, taking it from a belonging in fact (to a nation or a contract) to a polymorphous sociability that no longer recognizes itself in traditional forms of identity”. In the merging of technology and a music that, ostensibly, has no political program, “in the final analysis, the question is no longer one of representation or exposition, but of the genesis of an event to be experienced in common and thereby replayed within a new perspective. To outside observers techno will present only its ‘cortex,’ its outer skin, if they fail to see this demand for participation and communion of bodies in and through dance”.
Even if we could more clearly distinguish between Galliot’s conflation of electronica and techno—where we would still be faced with the difficulty of what is apparently a cultural economy of sound—two problems face what would otherwise be an appealing endeavor. First, not the music but the culture does have an overt politics (PLUR!) that, second, has apparently been lacking in efficacy: amidst the showers of amphetamines, rave candy, and pacifiers, the only results seem to have been anorexia and diminished cognitive capacities.