After trying to come to terms with Ellis’ oeuvre, I’ve finally decided that it’s too moralistic, despite flashes of brilliance. If Ellis had chosen a style more suited to the expose, his prose might have not pressed too far across the boundary into pornography. What is so frustrating about him is not the point he is trying to get across but that his style is not adequate to the task at hand—he needs, in short, to read his Adorno. Note, then, I am not at odds with the object of Ellis’ moralism—just his moralism. One cannot, after the avant-garde, shock anymore, but unfortunately this seems not to be Ellis’ point.